Drawing inspiration from (1) Charles Simone's touching memoir "An Ode to the Record Store," and (2) the Yankees' recent success with scrapheap sensations Bartolo Colรณn, Freddy Garcia, Andruw Jones, Eric Chavez, Russell Martin (sort of), Kevin Millwood (possibly), etc., I present an homage of my own to diamonds in the musical rough. Each trashcan treasure below spent many months (or years!) in the 99¢ cut-out bins on St. Marks and elsewhere, crying out for savvy shoppers like myself to snatch'em up and share. Props to S.T. for pointing a couple of these out...
Cool Down Time - Dan Zanes (1995, Private Music)
Between the Del Fuegos and his Nick Jr. superstardom, Dan Zanes made a weird pop record with cool production and sticky tunes. I think I bought three copies in Princeton for less than $5.
Thank You - Royal Trux (1995, Virgin)
My wife backed off a bit when I asked her for a formal rec on this one, but we certainly agreed that it was a bonanza in the bins. A cheap, cheap high.
Between the Del Fuegos and his Nick Jr. superstardom, Dan Zanes made a weird pop record with cool production and sticky tunes. I think I bought three copies in Princeton for less than $5.
Thank You - Royal Trux (1995, Virgin)
My wife backed off a bit when I asked her for a formal rec on this one, but we certainly agreed that it was a bonanza in the bins. A cheap, cheap high.
An industry buzz-band that sold nada outside of Indiana, whose debut features wonderful pop tunes and superb drums courtesy of Freda Love Boner.
A Series of Sneaks - Spoon (1998, Elektra)
Sure, these guys are huuuuuge now, but nobody outside the record biz had this little old masterpiece back in the day. Happens to be their best album, too.
Dirt Floor - Chris Whitley (1998, Messenger)
Not a major label promo-spawn but still a cellar dweller cut-out tragedy. I used to buy this one every time I saw it for less than five bucks, which was often. Great fucking record, great fucking guitarist... crying shame.
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